The chart looks absolutely amazing. I love everything about each of the folks in it.
Nate has this wonderful blend of fear, sadness, and determination going on in his expression and posture. I love the framing of the camera, too.
Noah has a very anime vibe in like the best way. He looks flat out heroic here, especially with the low angle, wide stance, and crazy saw-slinger over his shoulder.
Fiyori looks nice and brooding, contemplative but in a way that suggests that maybe there's something darker going on under the surface, which pairs amazingly with the quote to suggest a turn away from the light, a more vengeful streak.
I love the perspective going on in Scout's image, the very dynamic framing of the hall and the way she's taking cover, ready for action. It looks like something out of The Matrix is about to go down, and I wanna be there to see it.
Jeremy looks... neutral, in a really great way. He's captured in a moment of peace, but a troubled sort, and he looks contemplative but also somewhat determined. It also makes me extra stoked to reach him in my ongoing finally-read-some-of-V6 project.
Jerry has this brilliant look of someone who's not quit sure where they are or what they're doing, undercut just a smidge by the ominous speckles of probably-blood on him. Also I love how he's cradling the bread.
Speaking of blood, I like how it's suddenly quite a bit more prominent as we get to the last row, the evil. Alex opens it up with great ominousness, with a dramatic backshot that I imagine, from what I know of him, he'd strongly approve of.
I like how Kimiko, by contrast, looks incredibly unhappy to be here. She comes off as equal parts scared and determined, ready to do what she doesn't want to in order to chase survival.
Finally, Isabel could be auditioning for Higurashi with that expression (and what she's holding wouldn't hurt her chances any either). She really does seem crazed and ominous in a way nobody else yet has, and I love how that reflects her role in the proceedings.
So yeah, this chart totally rocks, and you do too.