Survival Of The Fittest

I really love the fight between Cecil and Gervais. The composition is wonderful, with they way their arms are crossed as they grapple over the gun, while Cecil slips in to land a punch. It really does a great job of illustrating how he's keeping the weapon at bay and using distance to his advantage. I also really appreciate the points of similarity and contrast between the two; both remain pretty formal in garb/bearing, but Cecil comes off as much more controlled and composed, while Gervais' grimace makes it clears he's on the back foot. And the momentum you've given the swing is perfect.

Gervais on his own also looks really nice. I really like the way you've depicted him in the aftermath, which I think captures a lot about his character. He has this dignified, haughty look about him, even as he's dealing with the messy aftermath of a very undignified situation. I also really, really like the sweater vest.

Finally, you make an absolutely amazing Ivy! SOTF costuming is rare but always makes me smile a ton, and you've pulled it off wonderfully.

You rock!

You are effin adorable! I wanna see you do one of the witchy girls!

I second the above!

alternatively get your 2006 on and cosplay meilin In all seriousness, one of the witch kids would be pretty awesome.

hey yo what's good

This is the biggest group picture I have ever drawn and if you know me you also know it had to be something as blessed as this, so I present to you the GBPS (and Co. to make it 12) himbo version of The Last Supper tm

I am innocent : ))





It's big so I suggest you click for higher quality.

[+] and then they all--

details

[+] Tristan, Axel, Andy

[+] Lorenzo, Kayden, Cecil

[+] Declyn, Emmett, Adonis, Myles

[+] Nick, Aurelien, Dante

Yesss!!! All the perfect boysssss!!!!

i'm converting you've convinced me

Our himbos, who art in heaven...

hallowed be thy names
for sotf come
thy will be done
on Earth as it is in heaven
give us this day our rationed loaf of bread
and forgive us for our accidental murders/thefts/general sinnery on the island
as we forgive those who accidentally murder/steal from/commit general sinnery against us
And lead us not into temptation
but deliver us from the AT
For thine chuck-e-cheese afterlife come
the hotness and cuteness
for ever and ever

AMEN

hot to trot

thats it im gay

Kermit wrote: ↑Mon Aug 19, 2019 5:59 amthats it im gay

Welcome! Here is your introductory video!

Can we make this, like, dunno, the banner for the site or something? It's beautiful.

I am super duper impressed and amused by this one. I'm always a sucker for references to classic works of art, and your recreations of scenes/poses are invariably top notch.

Tristan looks actually incredibly suave in his dark red shirt. I love the way you've converted the more dramatic/aggressive lean from the original piece to be a more in-character, seductive sort here. I also really dig his glasses; the gold frames make them both subtle and dashing.

Andy and Axel are perfectly paired, and again their body language fits so well. I love the detail you put into Axel's piercings, and the amount of attention you paid to getting the lines and wrinkles down pat in a shirt that's not even visible for the most part behind the others. Andy, meanwhile, has a steely gaze going on, and a glorious studded collar. I also like what you've done with the shading on his jawline; it makes it very defined.

I can't help but notice that Lorenzo has been cast as Judas. Spoilers? D: In seriousness, though, it's an inspired choice for a lot of reasons, and fits very well with the more uptight, menacing posture he's taking.

It's nice to see Kayden featured despite his missing the actual game! He fits in nicely between Lorenzo and Cecil, and you do a good job of conveying his athletic build without actually having too much of his body in frame. The hints of his white shirt also contrast very nicely with the darker costumes of the boys on either side of him.

Cecil, as usual, looks excellent. I really like hos he simultaneously has a sort of smoky and yet also suspicious expression in his eyes. He looks very slick, and I appreciate his positioning on Declyn's right hand; I'm not biblically-versed enough to say if there's any special symbolism in his taking John's place, but on a pure layout level it's very befitting his role in the relationship network.

Declyn is wonderfully downcast yet messianic, and I really like how in the overall shot his jacket picks up the color most prominent in the ambient lighting in the room; it gives him a really heavy, all-encompassing presence as befitting his spot. The solemn and sad expression you've given him feels understated yet spot-on, a really nice moment of sadness that fits both the scene as laid out and the eventual fates of most of those present.

Speaking of inspired positioning choices, Emmett, Adonis, and Myles cracked me up, as each in turn plays out a role corresponding to his part in the prom/roommate affairs. I'm blown away at how you managed to make Emmett look simultaneously nice and attractive yet also petulant, suspicious, and grumpy. The glare he's giving Adonis matches the friendly yet slightly concerned look Adonis has going on so well. Similarly, I enjoy the ambiguity of Adonis' posture; it looks like he's shielding Declyn from the others, yet it's also easy to see how it could be misinterpreted as an embrace, especially from, say, Emmett's location. And all the while, Myles is moving in, trying to put himself in the center stage yet kept at bay by all around him. The comparative body language among the trio is one of my very favorite parts of the picture.

Nick looks really really great. It's very cool to me to see him depicted; he's somehow slipped by without any other art that I know of, and you've done a really good job here of making him look both appropriately mature and beardy yet also slick and attractive. You've also set his style of dress apart from the others by making his button-down and vest look crisper and more formal, again without being obtrusive.

Seeing Dante and Aurlien together again makes me sad but also happy. I really dig the way they contrast, with Aurelien's accessorizing with his pin and headband standing out clearly, compared to Dante's much more understated necklace. I appreciate the way Dante seems cast as a calming presence compared to the more emphatic positions of Nick and Aurelien.

I'm super duper impressed by this piece as a whole. It's so cool and I'm really in love with the way you've clearly put so much thought and care into setting it up to be fitting both to the original SOTF characters and their personalities and to the Da Vinci art it's evoking.

[+] hey MW this is how I feel every time I read your comments

everyone else is lovely too I guess wink

ALSO NOTE @ EVERYONE:

There won't be any art for a while. Sorry!

take care\!!!!! refresh ur art powers

You rock! Don't sweat it, don't feel like you have to apologize, and take care of yourself.

kotori asleep, everybody suggest sacrifices to the shrine of artgodishness

In all seriousness take care, and continue to Rock