Becoming A Jackal

Oneshot

The east side of the community housing shows the wear of abandonment. The wilderness has started to reclaim the land the village was built on, meaning that many of the houses furthest from the center have become overgrown with vines and plants. The frequency of tropical storms has had a more noticeable impact on this side of the village as well. Some of the houses have been hit with debris from uprooted trees, while others have been torn asunder by a combination of debris, rain and wind. This has left a scattering of large wooden boards painted various colors across the entire area.

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Kermit
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Joined: Fri Aug 17, 2018 9:06 pm
Location: Don't worry about it :)

Becoming A Jackal

#1

Post by Kermit »

((Michael continued from Just Dropped In (To See What Condition My Condition Is In)))


He found her there, lying on the bed. Dead, as was to be expected. A single gunshot wound to the gut. Nobody had mercy killed her.

She was Michael's kill.

She looked peaceful, like the aftermath of a survivorless bus crash.

There was less blood on the bed than he expected from a fatal gunshot wound. The girl's eyes were closed. She hadn't seemed like the type to die with her eyes closed.

Someone who cared about her had found her, post-mortem. They'd moved her corpse; tried to give her dignity in death.

They were probably broken by it.

He looked down at her.

"I'm sorry." He said to everyone who was listening. He knew she didn't care.


A few minutes passed. He found a weird, culty white robe. He thought it was quaint and nifty like The Owl and The Many-Eyed Bear Holding A Dildo, so he stuffed it into his bag for later use. This whole island had a kinda creepy cult vibe to it. He'd probably read about it at some point during his past Wikipedia trawls.

The announcements began. However they described the murder would define Michael in everyone's internal narratives from here on out. He would never not be a murderer to anybody still left alive.

Clay had died first; got stuck in a DZ. Morgan and Henry were Michael's only non-murderer friends left alive.

Reuben had been stabbed by Teresa. The Owl encounter had been after his death. That felt... not weird, but...

...it didn't feel like anything.

Quinn Abert killed Rhonda Lawson. Her third kill. Quinn was the island's first official spree killer.


Camila. Fourth death of the day.

If he'd been keeping track correctly, and he was pretty sure he was, that made him the 19th person to commit murder. His assigned number was B019. A coinky-dink, as Beryl may have called it if she wasn't dead.

He looked up at the camera, closed his eyes, and breathed slowly. He focused on the exact phrasing of the next sentence spoken.

Michael Froese shot her, they said. Simple and effective work, they said.

An efficient murderer. A killing machine.

They'd labeled him as one and he couldn't undo it.


Erika poisoned Blake. It was hard to not premeditate poisoning someone. Modus operandi change. Double murderer.

Quinn killed Nerd Ned. Sniped him, changed her modus operandi from stabbing to shooting. She'd be one to watch out for. Her fourth murder.

Wig Person killed Dolly the gothic lolita. Their second kill.

Wig Person killed Alexander. Their third kill. Wig Person was now the island's second official spree killer. Also someone to watch out for; it was hard to justify murdering a blind person.

That one hurt. He hoped Nia was doing okay. He knew she wasn't.

Both blind kids died on the same day. A statistical improbability but not a statistical impossibility.

Cheridene fell down a well.

Violet S. shot Layla. Double murderer.

Lorenzo bludgeoned Emil, the kid with the fancy name. Double murderer.

Marco Volker pushed Arjen down the cliffs. Elaborately, they said. Both Marcos were murderers now.


Quinn killed Stepney, the guy who couldn't recognize faces. She did something bad to his organs, apparently. That didn't sound good. Another modus operandi change. Pentuple murderer. She was the only person on the island with a kills per day rate of above 1.

Sounded like Quinn was enjoying herself.

Quinn being the school shooter kid was a surprise. Michael'd always expected it to be Richard Smith or one of the other Gamer nerds. Quinn was a smart nerd; sciency. She had a future, maybe.

She was in most of the same classes as Michael. If she'd decided, one day, for real, to bring a gun to school and start shooting, chances were that he'd have been in the room when it happened.

Fucking hell.


Adonis stabbed Tristan. Tristan and Beryl and Nick had fucked, as Michael knew but wished he didn't know. Nick was now the sole survivor of that ménage à trois.

At least Nick hadn't killed Tristan too.


Claudeson shot Bryan. He shot Bryan after a philosophical discussion, they said. He talked Bryan to death, they said. Never had Michael related to someone more.

But they had left out all those same details when they were announcing Camila's death. Why did Claudeson get to sound like he had humanity? Why did they want everyone to think Michael was a goddamn murderbot?

His face contorted. He inhaled sharply. He fidgeted with the band on his wrist. He did not cry.

It just... it just hurt so fucking much.


The danger zones were announced. Nothing that effected Michael.

Best kill awards. Two winners, this time. Erika, who was a sniper and a poisoner, and -

- and him.

Michael Froese.

Michael Froese, co-winner of the third best kill award.

That was probably why they left out the details, then. Either that or the thing he said about being a serial killer.

When someone saw Michael, their first thoughts wouldn't be of Michael Froese the person, they would be of Michael Froese the award-winning murderer.

When someone saw Michael, their first thoughts wouldn't be that he was a human, but that he was good at killing people.

The terrorists had just dictated that in everyone's internal narratives, Michael was one of the bad guys. That was all anyone left alive would let him be.

The terrorists, experts in their field, thought he was good at murder. They wanted him to snap.

They were always watching. They were the one universal constant on this island. They'd be there with him every step of the way.

A wave of calm washed over him. His face looked normal again. He opened his eyes; looked back through the camera.

It made him feel a warm feeling deep down in his chest, like he was being given a big hug. It made him feel like he was something to someone.

It made him feel wanted. It made him feel loved, almost.

It felt nice that someone actually liked something he did.

- and he was completely and absolutely fucking horrified that he was feeling these things but he couldn't stop - didn't want to stop - feeling them.


Michael Froese the award-winning murderer. That was who he was now.

He was done with trying to be his own dead dreams. He was done trying to be something he couldn't still be. He was done with his old life. He was done with inhibitions unless they served him. He was done with civility unless it served him. He was done with the fucking pretenses. He was an animal. Deep down that was what anyone ever was, he knew that. They'd always pretended like they were something else, but they weren't. He was done pretending. On this island, it didn't matter if you did good or bad things; nobody made it out alive. If he didn't let go of his old life, it would break him.

And, in that moment, he finally let himself go.

He blinked. Approximated eye contact with the camera. Inhaled. Smiled with his mouth closed. Closed his eyes. His voice was soft as he exhaled.

"...Thank you."

He meant it. By god, did he ever mean it.

He opened his eyes. He reloaded the pistol. He nodded to the camera. This was happening. He wasn't afraid; he was already dead.

The way out of trauma was a cohesive narrative, and most narratives needed villains. It hurt, but if it meant people could die feeling like they had a purpose, he was willing to carry that burden. He had to own it. He had a duty.

"Okay. Let's roll."

He was going to go have a talk with Erika Stieglitz. He picked up another white robe. Maybe she'd appreciate one.

((Michael continued in Devil Like Me))
[+] v7
[+] Michael Froese
Michael Froese - The story of an identity; the story of a matador; the story of a liar; the story of a junkie; the story of a very special frog; the story of a jackal; the story of an oscillator; the story of a ghost; the story of the death of an author; the story of a bunch of other stuff.

THREADS!

PREGAME: Mad world - This...this felt nice. - Michael was incredibly disappointed in himself for actually agreeing to go do something with Beryl. - He wasn't actually all that sorry. - Part of him was worried his real motivation wasn't self-torturing altruism but instead the fact that it was one of the few things that still made him feel.

ISLAND:
Michael and all of his friends were going to be footnotes in a history textbook. - he was folding in on himself like a four-dimensional object in three-dimensional space - Everything was about pain, fear, and love. - "Gave them our reactions, our explosions, all that was ours; For graphs of passion, and charts of stars." - He had a duty to look into someone's eyes as he killed them. - Closure really did sound like nothing at all. - "I wish we were lovers, but it's for the best." - Michael Froese the award-winning murderer. That was who he was now. - "I wanted to lose myself." - "Good and bad, all roads lead to Rome and I just, it hurts too much to be a good person." - "Somewhere out there in the deep blue sea, there's this whale." - "...It's harder to be yourself than it is to be anybody else." - "The neighbors, they adored him for his humor and his conversation. Look underneath the house there, find the few living things, rotting fast in their sleep; oh, the dead," - He gave her a big hug. He buried his head in her shoulder, feeling her cold, spongy, rubbery skin against his forehead. She had no eyes. She had no face. Something had eaten her face. - Michael Froese was a crazy person with a gun. - Validation. - "You don't live in a goddamned movie." - "I miss what it's like to be, like, actually alone." - "Market data inconsistent. Cantor API problem. Trading system offline," - Michael didn't want this. It wasn't like that'd stop him. - "I'm wide awake, it's morning." - He was a spree killer now, he supposed. - When he gave his word, he was giving nothing. - The fact they even existed was being politicized. - "BERYL FUCKING MAHELONA. TELL ME WHAT YOU DID TO BERYL MAHELONA," - 'Am I gray?' - A beach covered in unidentified decedents. - He'd never felt anything unconditionally. - "Look around you, you're surrounded.
It won't get any better. And so, goodnight."
[+] Valerija Bogdanovic
The story of a (failed) revolutionary.

THREADS!

PREGAME: August 12th, 2017 - The explosive sound of metal hitting metal

ISLAND:
She turned away. Everything from here on out was for the terrorists to see. - "All of us, we have the chance to actually do something with our lives." - The students were the shark in the box. - Complacency was festering like a tumour. - "She's right. It won't - it won't change anything," - Scraped into the wall, in neatly-styled lettering, the words "If they won't live in peace, then they'll die for peace." - Val needed a gun, - "I do not care for violence without a point," she stated. "My gun is not loaded." - "Juliette, I'm sure you already know this, but you really should take pains to be careful around people who speak only in enthymemes." - "Someone once said, 'Change must come with the barrel of a gun', and they were not wrong." - Two explosions.
none of you can prove im in v8
[+] v9, AKA. Kermit rejects modernity, returns to writing mentally ill bisexuals.
[+] Sad Gay Hours with Kermit and Mara.
You've been living a while in the front of my skull making orders
You've been writing me rules, shrinking maps and redrawing borders
I've been repeating your speeches, but the audience just doesn't follow
Because I'm leaving out words, punctuation, and it sounds pretty hollow
I've been living in bed because now you tell me to sleep
I've been hiding my voice and my face, and you decide when I eat
In your dreams I'm a criminal, horrible, sleeping around
While you're awake, I'm impossible, constantly letting you down
Little porcelain figurines, glass bullets you shoot at the wall
Threats of castration for crimes you imagine when I miss your call
With the bite of the teeth of that ring on my finger, I'm bound to your bedside, your eulogy singer
I'd happily take all those bullets inside you and put them inside of myself
[+] The mallgoth who died offscreen in Supers
You can read me like a book
I'm not as clever as I look
I've got a sneaky kind of selfish
That I keep up on the shelf
With jars of double-sided comments
For people who've done nothing wrong
Preparing for the lights
And always practicing my sha-na-na's
I will stand right next to giants
And roar beside the lions
[+] Johnny R. Fightmaster
What road?
What road?
What road?
What road?
I'd been working on some open-ended shit
I was looking for an in and that was it
Back at the recital, signs remain vital
A statue is stone which rejects its own pulse
You heart's fair, your heart's square, your heart's not even there
Wasting shore leave on the girls from Point St. Claire
There is a light and it goes out, oh
A touch of classicism in the night
Your backlash was right where I wanted you
Yes, that's right, I wanted you, too
A touch of classicism in the night
Your backlash was right where I wanted you
Yes, that's right, I wanted you, too
[+] Pow Pow
From this position
I will relax
From this position
I can see the whole site

From this position
Oh, oh just relax
From this position
I took the staff test
I now have a purple name

And chat goes @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
It goes @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff

From this position
I can see all the pings
From this position
I totally get how our decisions were reached

From this position
I can say "no pregame murders," or "Tracen Danya is canonically a catboy TikTokker," or "go bother Deamon instead,"
From this position, from this position
It's kind of like eating myself to death

With you on the outside
And me on the inside
There's advantages to both
(Advantages to both!)

And me being uptight
And you being all right
There's advantages to each
(Advantages! Advantages!)

From this perspective, from this position
I have a good grip on both of them
Because I have stayed home
And have learned a little more about my community
Which is important
You know, Main's got 1,269 characters to read

So chat goes @Staff, @Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
So it's @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
It goes @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff

With you in a sidechat
And me in the staffchat
There's advantages to both
(Advantages to both)

And now you have gone terminally inactive
And then you didn't send an appeal
And so I will have to take away your beloved character and then I will have to kill them
(And i'll feel really bad about doing it even though it's my job ;~;)

Now I have been Danya
And you are not Danya
There's advantages to each
(Advantages to each)
And we're coming back, coming back, coming back
Until there's no U.S. state left untouched on the map
We probably should have expected that people would mishandle colonialism in the Hawaii version

I'm paralyzed
And looking through you
But if nothing's right
Please don't yell at meeee

As a terrified autistic person
I'm amazed at my decision to play

On this occasion, there are a couple of things that we know that we pulled from Fact Magazine
One, character morality discourse is annoying and I don't care about it
Two, your time will come, but this is gonna be our version
So you should give us all of your roll nulls
Three, I wrote a goth and you did not, so shut up, because you don't know shit about goths that you didn't get from me

So times have been tough
And times have been tough
We have been staffkilled, unrolled, and rolled out
But honestly
And let's be honest with ourselves
How much time did we waste?
How much time did we all blow every day?

And so it's @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
Oh, @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff

So @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
@Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
(Please do not ping @Staff as a joke!)
(Staff will kill you in real life!)
(Yes I mean you!)

With you on the inside
And me on the outside
There's advantages to both
(Advantages to both!)

With my name in purple
And your name in blue
There's advantages to each
(Advantages! Advantages!)

From this position
I feel an affinity for the both of them, which is confusing
But honestly
I should be careful because otherwise, I'm being, I'm being, you know, what's it called?
Oh, fuck it
...
-Reclining, I'm getting used to it
Like writing a mentally ill bisexual
It's an entirely new
Discovery, discovery, discovery, discovery, discovery, discovery, discovery, discovery

And then a couple of versions on mini
And then a version on main
And then back over to mini and then to main, again
To use up my desire for
Discovery, discovery, discovery, discovery, discovery, discovery, discovery

For an instant
We could have been sold as a book
But the site's all been plagiarized
From Koushun Takami anyway
So what you want for now
Is for someone to read you
And to hear that the trends you like
Won't become overplayed

And I don't knoOOOOOOOw what I'm doing
I don't knooooowwww
I don't knooooowwww
I don't knooooowwww

(Staff will kill you in real life!)
I'm losing my edge.
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