Process of Elimination
Posted: Wed May 24, 2023 12:32 am
There was a click.
Then, the bulb of the flashlight awoke. Its beam cut through the midnight darkness like a blade of light, a circular endpoint left on the face of the blanched cadaver. It hung there for a moment, a light sway in the night air, and scanned across the carcass, from head to toe, then back again. The blood on the body had already turned grey and sun-bleached.
Then, there was the sound of footsteps.
A figure, cloaked in darkness, stepped towards it. The flashlight was clasped tightly in its hand, a beacon for lost souls. One step, two steps, three steps, and the shadow was there by the side of the remains, like a mythological psychopomp. Its purpose, however, was not to guide this lost soul to the afterlife—but to keep others from meeting that fate.
S061: ALEXANDER HAWTHORNE — CONTINUED FROM "A Matter of Time"
Alexander shined the light over the livid, sea-stained face of the corpse again. There were no doubts in his mind about its former identity. Its hair had meshed with salt and sand, eyes glazed and glassy, gazing up heavenwards, face and body tautened. Its open neck, torn to shreds, unzipped from the center outwards. The rot had set in a long time before.
"Your death will mean something," he silently promised to it. "I will make that a certainty."
He passed the flashlight into his left hand, careful to keep its focus on the neck. Then, his hand darted to the sheathe at his side. His long fingers wrapped around the handle of the knife and clasped it. Then, in a deliberate and careful motion, he drew it out. He tested the point on his finger and, once fully satisfied with its sharpness, began to steel himself.
A pair of cold brown eyes fell on the band of metal around the neck of the victim. The collar had torn apart at the front-center region but remained in one singular piece. Though it was already colored matte black, faint traces of the burn contrasted, darker at the fringes. He took a short breath of air, which he held tight in his chest, afraid to let it go again.
In his head, Alexander ran through his rationale again. He needed to narrow down possibilities, and the best starting point for that would be to determine the composition of the collar. To do that, first, he intended to determine its hardness, and from there, the possibilities would narrow, and he could begin to formulate a more specific plan of attack against it.
His years of experience as an amateur engineer proved the sort of expertise he believed he needed. Years of tinkering with the same types of materials that composed the blade made it easy to ensure that he could use it as a barometer to test against other materials; it was almost elementary for him to identify the components and compare them.
The blade was composed of 7Cr stainless steel. Its indentation hardness measured around 60-63 HRC on the Rockwell "C" scale; scratch hardness measured around 5-6 HM on the Mohs scale. If he could indent or scratch the collar—or conversely, if he couldn't indent or scratch the collar—with the knife, that would ensure a confident identification of the material.
First, he put the knife to the ruined band. Then, with as much might as he could muster, he pressed.
Then, the bulb of the flashlight awoke. Its beam cut through the midnight darkness like a blade of light, a circular endpoint left on the face of the blanched cadaver. It hung there for a moment, a light sway in the night air, and scanned across the carcass, from head to toe, then back again. The blood on the body had already turned grey and sun-bleached.
Then, there was the sound of footsteps.
A figure, cloaked in darkness, stepped towards it. The flashlight was clasped tightly in its hand, a beacon for lost souls. One step, two steps, three steps, and the shadow was there by the side of the remains, like a mythological psychopomp. Its purpose, however, was not to guide this lost soul to the afterlife—but to keep others from meeting that fate.
S061: ALEXANDER HAWTHORNE — CONTINUED FROM "A Matter of Time"
Alexander shined the light over the livid, sea-stained face of the corpse again. There were no doubts in his mind about its former identity. Its hair had meshed with salt and sand, eyes glazed and glassy, gazing up heavenwards, face and body tautened. Its open neck, torn to shreds, unzipped from the center outwards. The rot had set in a long time before.
"Your death will mean something," he silently promised to it. "I will make that a certainty."
He passed the flashlight into his left hand, careful to keep its focus on the neck. Then, his hand darted to the sheathe at his side. His long fingers wrapped around the handle of the knife and clasped it. Then, in a deliberate and careful motion, he drew it out. He tested the point on his finger and, once fully satisfied with its sharpness, began to steel himself.
A pair of cold brown eyes fell on the band of metal around the neck of the victim. The collar had torn apart at the front-center region but remained in one singular piece. Though it was already colored matte black, faint traces of the burn contrasted, darker at the fringes. He took a short breath of air, which he held tight in his chest, afraid to let it go again.
In his head, Alexander ran through his rationale again. He needed to narrow down possibilities, and the best starting point for that would be to determine the composition of the collar. To do that, first, he intended to determine its hardness, and from there, the possibilities would narrow, and he could begin to formulate a more specific plan of attack against it.
His years of experience as an amateur engineer proved the sort of expertise he believed he needed. Years of tinkering with the same types of materials that composed the blade made it easy to ensure that he could use it as a barometer to test against other materials; it was almost elementary for him to identify the components and compare them.
The blade was composed of 7Cr stainless steel. Its indentation hardness measured around 60-63 HRC on the Rockwell "C" scale; scratch hardness measured around 5-6 HM on the Mohs scale. If he could indent or scratch the collar—or conversely, if he couldn't indent or scratch the collar—with the knife, that would ensure a confident identification of the material.
First, he put the knife to the ruined band. Then, with as much might as he could muster, he pressed.