Youth

HOW MANY ONESHOTS CAN ONE CHARACTER HAVE!??!?!

The east side of the community housing shows the wear of abandonment. The wilderness has started to reclaim the land the village was built on, meaning that many of the houses furthest from the center have become overgrown with vines and plants. The frequency of tropical storms has had a more noticeable impact on this side of the village as well. Some of the houses have been hit with debris from uprooted trees, while others have been torn asunder by a combination of debris, rain and wind. This has left a scattering of large wooden boards painted various colors across the entire area.

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Kermit
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Joined: Fri Aug 17, 2018 9:06 pm
Location: Don't worry about it :)

Youth

#1

Post by Kermit »

((Michael continued from Dystopia))

Michael ran all the way to the village. It was the farthest he'd ever run with no breaks, he was pretty sure.

He'd been in this house before. A return trip, checking in on an old friend.

He poked his head in through the bedroom door.

"Hi, Camila. Just making sure nobody, like, Stepney'd you. You good?"

He saw a blowfly crawl out of the hole he'd blown through her stomach.

"Aight."

He liked talking to dead people. They couldn't hurt him like living people could and he couldn't hurt them like he could hurt living people.

He had something of hers, something he needed to return, but first he had to patch himself up.

He walked back into the main room of the house, sat down on a chair. He slipped off his wristband. He slipped off the cultist robe. There was a blood-stained tear through the upper part of its sleeve. He slipped off his slate-gray Henley shirt. The was a similar tear in it, the main difference being a larger blood stain. He slipped his wristband back on.

He lifted his left arm as to get a good view of the damage.

"Gnar."

The bullet had hit the upper bit of his pod, smashing the part where the insulin reservoir connected to the delivery canula. It was still stuck on his arm, partially by the pod's adhesive, partially from dried blood. A little tube-shaped piece of blue plastic stuck out of his arm, contrasting sharply with the red of his blood. It was the insulin delivery canula, he knew. It wasn't attached to the rest of the pod anymore, so that meant he'd have to pull it out manually.

Yeah, that wouldn't be fun.

He unzipped his bag fully and pulled out the medkit, placing it in his lap. He glanced up at a camera.

"I have no idea what I'm doing."

He looked back to his arm. First, he dug a fingernail between the pod's adhesive and his skin. He winced. He was pretty sure he'd just nudged the canula. He tore the pod off, leaving an egg-shaped ring of uncovered skin in the middle of the splotch of clotted blood on his arm. He took one of his water bottles, unscrewed it, and washed the blood off. It really didn't look that bad now, just a scrape and a few bits of plastic half-embedded into his skin. It wasn't still bleeding or anything. He opened up the medkit and grabbed a pair of tweezers.

First and foremost, he'd take the canula out. He gripped it with the tweezers and pulled it out. It was quick and relatively painless, but as he pulled it out he could feel it moving underneath his skin. It was one of the most disconcerting experiences of his life. After that, he removed all of the fragmented pieces of white plastic he could find in his arm. It was tedious.

He wiped his arm with an alcohol pad, and put numerous Band-Aids over the wounds. They were mostly skin-deep.

And that was that.

He hoped that was that.


He grabbed a new mag, reloaded his pistol; then, he slipped a new shirt on. It was a dark purple colour, long-sleeved. Its material was thinner and fit snugger than that of the other two shirts he'd worn so far on the island, and it decidedly emphasized his gangly appearance. Then, he put on a white and gray windbreaker; a waterproof one. It was his windbreaker, not Camila's. It was an important distinction to make.

The Many-Eyed Bearyl was wearing Camila's windbreaker. He slipped it off the bear. He had to figure out how to worm the dildarm out, but he got there eventually. He stuffed the Bearyl back in the bag and zipped it back up, its head poking out, as always. He gave it an affectionate pat.

"There ya' go, friend."

He put his backpack on again and took the windbreaker to the bedroom. He stepped close to Camila and looked down at her face. He closed his eyes and inhaled quietly. He was crying a little bit. His voice was soft.

"I've... been thinking about what you said about, like... 'who am I if I'm not me', and... I don't have an answer yet, but I guess I have some words of wisdom, maybe, if they'll help."

He paused, grimaced. A song lyric, as always. The words hurt to say, and they were true. They hurt because he knew they were true.

"...It's harder to be yourself than it is to be anybody else."

Quietly, he nodded, and draped Camila's windbreaker over her face.

Dignity in death, or whatever.

"Try to hold on to your heart, I guess. I dunno."


He stepped outside, walking with no particular destination. As he walked, he sang softly, bitterly. It wasn't loud enough to attract undue attention. It was a song that meant a lot to him right now.

Youth, by Daughter.

"Shadows settle on the place that you left.
Our minds are troubled by the emptiness.
Destroy the middle, it's a waste of time;
From the perfect start to the finish line.

"And if you're still breathing, you're the lucky ones.
'Cause most of us are heaving through corrupted lungs.
We're setting fire to our insides for fun.
Collecting names of the lovers that went wrong,
The lovers that went wrong.

"We are the reckless, we are the wild youth;
Chasing visions of our futures.
One day, we'll reveal the truth;
That one will die before they get there.

"And if you're still bleeding, you're the lucky ones.
'Cause most of our feelings, they are dead and they are gone.
We're setting fire to our insides for fun.
Collecting pictures from a flood that wrecked our home.
It was a flood that wrecked this home.

"And you caused it.
And you caused it.
And you caused it.

"Well, I've lost it all, I'm just a silhouette.
I'm a lifeless face that you'll soon forget.
And my eyes are damp from the words you left
Ringing in my head, when you broke my chest;
Ringing in my head, when you broke my chest.

"And if you're in love, then you're the lucky one.
'Cause most of us are bitter over someone.
Setting fire to our insides for fun.
To distract our hearts from ever missing them,
But I'm forever missing them.

"And you caused it.
And you caused it.
And you caused it."

((Michael continued in How Many Owl Puns Can I Make Before Vicky Kills Me?))
[+] v7
[+] Michael Froese
Michael Froese - The story of an identity; the story of a matador; the story of a liar; the story of a junkie; the story of a very special frog; the story of a jackal; the story of an oscillator; the story of a ghost; the story of the death of an author; the story of a bunch of other stuff.

THREADS!

PREGAME: Mad world - This...this felt nice. - Michael was incredibly disappointed in himself for actually agreeing to go do something with Beryl. - He wasn't actually all that sorry. - Part of him was worried his real motivation wasn't self-torturing altruism but instead the fact that it was one of the few things that still made him feel.

ISLAND:
Michael and all of his friends were going to be footnotes in a history textbook. - he was folding in on himself like a four-dimensional object in three-dimensional space - Everything was about pain, fear, and love. - "Gave them our reactions, our explosions, all that was ours; For graphs of passion, and charts of stars." - He had a duty to look into someone's eyes as he killed them. - Closure really did sound like nothing at all. - "I wish we were lovers, but it's for the best." - Michael Froese the award-winning murderer. That was who he was now. - "I wanted to lose myself." - "Good and bad, all roads lead to Rome and I just, it hurts too much to be a good person." - "Somewhere out there in the deep blue sea, there's this whale." - "...It's harder to be yourself than it is to be anybody else." - "The neighbors, they adored him for his humor and his conversation. Look underneath the house there, find the few living things, rotting fast in their sleep; oh, the dead," - He gave her a big hug. He buried his head in her shoulder, feeling her cold, spongy, rubbery skin against his forehead. She had no eyes. She had no face. Something had eaten her face. - Michael Froese was a crazy person with a gun. - Validation. - "You don't live in a goddamned movie." - "I miss what it's like to be, like, actually alone." - "Market data inconsistent. Cantor API problem. Trading system offline," - Michael didn't want this. It wasn't like that'd stop him. - "I'm wide awake, it's morning." - He was a spree killer now, he supposed. - When he gave his word, he was giving nothing. - The fact they even existed was being politicized. - "BERYL FUCKING MAHELONA. TELL ME WHAT YOU DID TO BERYL MAHELONA," - 'Am I gray?' - A beach covered in unidentified decedents. - He'd never felt anything unconditionally. - "Look around you, you're surrounded.
It won't get any better. And so, goodnight."
[+] Valerija Bogdanovic
The story of a (failed) revolutionary.

THREADS!

PREGAME: August 12th, 2017 - The explosive sound of metal hitting metal

ISLAND:
She turned away. Everything from here on out was for the terrorists to see. - "All of us, we have the chance to actually do something with our lives." - The students were the shark in the box. - Complacency was festering like a tumour. - "She's right. It won't - it won't change anything," - Scraped into the wall, in neatly-styled lettering, the words "If they won't live in peace, then they'll die for peace." - Val needed a gun, - "I do not care for violence without a point," she stated. "My gun is not loaded." - "Juliette, I'm sure you already know this, but you really should take pains to be careful around people who speak only in enthymemes." - "Someone once said, 'Change must come with the barrel of a gun', and they were not wrong." - Two explosions.
none of you can prove im in v8
[+] v9, AKA. Kermit rejects modernity, returns to writing mentally ill bisexuals.
[+] Sad Gay Hours with Kermit and Mara.
You've been living a while in the front of my skull making orders
You've been writing me rules, shrinking maps and redrawing borders
I've been repeating your speeches, but the audience just doesn't follow
Because I'm leaving out words, punctuation, and it sounds pretty hollow
I've been living in bed because now you tell me to sleep
I've been hiding my voice and my face, and you decide when I eat
In your dreams I'm a criminal, horrible, sleeping around
While you're awake, I'm impossible, constantly letting you down
Little porcelain figurines, glass bullets you shoot at the wall
Threats of castration for crimes you imagine when I miss your call
With the bite of the teeth of that ring on my finger, I'm bound to your bedside, your eulogy singer
I'd happily take all those bullets inside you and put them inside of myself
[+] The mallgoth who died offscreen in Supers
You can read me like a book
I'm not as clever as I look
I've got a sneaky kind of selfish
That I keep up on the shelf
With jars of double-sided comments
For people who've done nothing wrong
Preparing for the lights
And always practicing my sha-na-na's
I will stand right next to giants
And roar beside the lions
[+] Johnny R. Fightmaster
What road?
What road?
What road?
What road?
I'd been working on some open-ended shit
I was looking for an in and that was it
Back at the recital, signs remain vital
A statue is stone which rejects its own pulse
You heart's fair, your heart's square, your heart's not even there
Wasting shore leave on the girls from Point St. Claire
There is a light and it goes out, oh
A touch of classicism in the night
Your backlash was right where I wanted you
Yes, that's right, I wanted you, too
A touch of classicism in the night
Your backlash was right where I wanted you
Yes, that's right, I wanted you, too
[+] Pow Pow
From this position
I will relax
From this position
I can see the whole site

From this position
Oh, oh just relax
From this position
I took the staff test
I now have a purple name

And chat goes @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
It goes @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff

From this position
I can see all the pings
From this position
I totally get how our decisions were reached

From this position
I can say "no pregame murders," or "Tracen Danya is canonically a catboy TikTokker," or "go bother Deamon instead,"
From this position, from this position
It's kind of like eating myself to death

With you on the outside
And me on the inside
There's advantages to both
(Advantages to both!)

And me being uptight
And you being all right
There's advantages to each
(Advantages! Advantages!)

From this perspective, from this position
I have a good grip on both of them
Because I have stayed home
And have learned a little more about my community
Which is important
You know, Main's got 1,269 characters to read

So chat goes @Staff, @Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
So it's @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
It goes @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff

With you in a sidechat
And me in the staffchat
There's advantages to both
(Advantages to both)

And now you have gone terminally inactive
And then you didn't send an appeal
And so I will have to take away your beloved character and then I will have to kill them
(And i'll feel really bad about doing it even though it's my job ;~;)

Now I have been Danya
And you are not Danya
There's advantages to each
(Advantages to each)
And we're coming back, coming back, coming back
Until there's no U.S. state left untouched on the map
We probably should have expected that people would mishandle colonialism in the Hawaii version

I'm paralyzed
And looking through you
But if nothing's right
Please don't yell at meeee

As a terrified autistic person
I'm amazed at my decision to play

On this occasion, there are a couple of things that we know that we pulled from Fact Magazine
One, character morality discourse is annoying and I don't care about it
Two, your time will come, but this is gonna be our version
So you should give us all of your roll nulls
Three, I wrote a goth and you did not, so shut up, because you don't know shit about goths that you didn't get from me

So times have been tough
And times have been tough
We have been staffkilled, unrolled, and rolled out
But honestly
And let's be honest with ourselves
How much time did we waste?
How much time did we all blow every day?

And so it's @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
Oh, @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff

So @Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
@Staff
@Staff, @Staff, @Staff, @Staff
@Staff, @Staff, @Staff, @Staff
(Please do not ping @Staff as a joke!)
(Staff will kill you in real life!)
(Yes I mean you!)

With you on the inside
And me on the outside
There's advantages to both
(Advantages to both!)

With my name in purple
And your name in blue
There's advantages to each
(Advantages! Advantages!)

From this position
I feel an affinity for the both of them, which is confusing
But honestly
I should be careful because otherwise, I'm being, I'm being, you know, what's it called?
Oh, fuck it
...
-Reclining, I'm getting used to it
Like writing a mentally ill bisexual
It's an entirely new
Discovery, discovery, discovery, discovery, discovery, discovery, discovery, discovery

And then a couple of versions on mini
And then a version on main
And then back over to mini and then to main, again
To use up my desire for
Discovery, discovery, discovery, discovery, discovery, discovery, discovery

For an instant
We could have been sold as a book
But the site's all been plagiarized
From Koushun Takami anyway
So what you want for now
Is for someone to read you
And to hear that the trends you like
Won't become overplayed

And I don't knoOOOOOOOw what I'm doing
I don't knooooowwww
I don't knooooowwww
I don't knooooowwww

(Staff will kill you in real life!)
I'm losing my edge.
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